Genjring Bonyok dan Tardug di Subang Jawa Barat: Kajian Kontinuitas, Perubahan, dan Struktur Pertunjukan

Abstract

This research aim to analyze of genjring bonyok and tardug continuities, changes, and performing structure, in Sundanese ethnis cultural in West Java. To analyze of these two art genres I use continuities and changes theory. In the other hand, to analyze the performing art structure I use semiotic and weighted scale theories. Then, I use qualitative research in this study, based on field work method.

The tardug (genjring bonyok) art, exist in 2000-s. Before this art developing in the Subang society, they have some arts, which parts of continuities and changes of them. This arts genre are: genjring sholawat, rudat, adem ayem, and genjring bonyok.

When viewed from the aspects of development that include forms of presentation, art materials, tools, community support, and future growth, arts that seems to have a relationship historically. Art genjring gederan known since 1960, have similarities in terms of the use of instruments and techniques of the art rudat wasps. Both types of art does not have pitched instrument that plays the melody. Then after entering instrument tarompet, around 1969 as a carrier melodic songs, this artis known as genjring bruised. Not long after kawih elements come around 1987. Inline with the wishes of the market, the next development, the songs in the arts genjring bruised dominated by songs dangdut style, But still limited to traditional dangdutan songs, which can be accompanied by musical instruments that exist as well as the technical ability kawih vocal interpreter. With the increasing demand of modern dangdut songs were applying diatonic scales, to accompany the songs needed musical instruments and singers in diatonic scales that can chant. Then in 2000 the guitars entry into the art tardug. The structure of the show is to do with the opening stages, content, and closing, The structure of the melody based on the pentatonic Sundanese system and then developing into diatonic.