• Login
    View Item 
    •   USU-IR Home
    • Faculty of Cultural Sciences
    • Department of Ethnomusicology
    • Undergraduate Theses
    • View Item
    •   USU-IR Home
    • Faculty of Cultural Sciences
    • Department of Ethnomusicology
    • Undergraduate Theses
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Analisis Struktur Musikal Lagu Dongan Sahuta dan Lagu Determinasi Karya Band Fingerprint

    Thumbnail
    View/Open
    Cover (306.9Kb)
    Fulltext (1.270Mb)
    Date
    2023
    Author
    Putra, Anugerah Dimas
    Advisor(s)
    Rithaony
    Metadata
    Show full item record
    Abstract
    This research aims to musically describe the song Dongan Sahuta and the song Determination by the band Fingerprint. The research method used is a descriptive qualitative method. The data collection methods used were field studies, literature studies, and data analysis. In the context of ethnic studies, the author applies the weighted scale theory. In carrying out melody analysis, the aspects to be considered include: (1) scale, (2) pitch center, (3) tone area, (4) number of notes, (5) number of intervals, (6) cadence patterns, (7) melodic formulas, and (8) contour. Furthermore, to support the weighted scale theory, it is used by describing the musical composition, which must examine the following things, namely: (1) tonality, (2) rhythm, (3) form, (4) tempo, and (5) melodic contour. The results of this research reveal that the song Dongan Sahuta features a melody that describes feelings of longing and emotional connection with people who are far from their hometown. This song uses the C - D - D# - E - F - F# - G# scale with a pulsating rhythm and fast tempo, creating a strong impression of energy. Meanwhile, the song Determination represents enthusiasm, motivation and perseverance to face life's challenges. This song adopts easily singable notation with a tonality pattern that focuses on G minor, a measured rhythm, and a more moderate tempo. Based on the results of this research, it can be concluded that in these two songs, the lyrics and instrumental melody are played simultaneously, starting with a fierce distorted guitar playing, then accompanied by kicking drums and bass and powerful vocals.
    URI
    https://repositori.usu.ac.id/handle/123456789/90942
    Collections
    • Undergraduate Theses [298]

    Repositori Institusi Universitas Sumatera Utara (RI-USU)
    Universitas Sumatera Utara | Perpustakaan | Resource Guide | Katalog Perpustakaan
    DSpace software copyright © 2002-2016  DuraSpace
    Contact Us | Send Feedback
    Theme by 
    Atmire NV
     

     

    Browse

    All of USU-IRCommunities & CollectionsBy Issue DateTitlesAuthorsAdvisorsKeywordsTypesBy Submit DateThis CollectionBy Issue DateTitlesAuthorsAdvisorsKeywordsTypesBy Submit Date

    My Account

    LoginRegister

    Repositori Institusi Universitas Sumatera Utara (RI-USU)
    Universitas Sumatera Utara | Perpustakaan | Resource Guide | Katalog Perpustakaan
    DSpace software copyright © 2002-2016  DuraSpace
    Contact Us | Send Feedback
    Theme by 
    Atmire NV