| dc.description.abstract | This research discusses worship at the Gereja Bethel Indonesia (GBI) Rumah
Persembahan, namely the worship service Malam Doa, Pujian dan Penyembahan
”Etnik Batak " or better known in the church environment by the name "Etnik Batak "
worship service. GBI Rumah Persembahan is a charismatic church, which usually
does not include cultural elements in its worship. However, in this worship service
cultural elements from the Batak Toba tribe are used, such as language, songs,
traditional musical instruments and dresscode used when serving. In accordance with
the vision of this church, thefocus of this worship is to pray, praise and worship God.
The purpose of this research is to describe the "Etnik Batak" worship at GBIRumah
Persembahan startingfrom the rehearsal stage until the worship process is complete,
as well as to transcribe and analyze the musical structure of the song performed at
the implementation of this worship. To achieve the research objectives, the author
uses the theory of "Song Form" proposed by Karl-Edmund Prier SJ, in which the
structure of the musical form is: sentences (periods), song motifs, symmetry, dots,
commas andfrasering in songs. The research method used is qualitative by using the
ethnomusicology research method approach, fieldwork and deskwork. The results
showed that there was careful preparation in preparing this worship service, namely
by conducting several rehearsals before the service took place. In the implementation
of worship, the musicians use traditional instruments from Batak Toba, these
instruments are collaborated with Western musical instruments. So that the
presentation of music in this worship is differentfrom the worship that is usually held
in this church. Songs that are brought in the implementation of this service are
usually as many as approximatelyfive, which among thefive songs consist of songs of
praise and songs of worship. The musical structure used in these songs consists of
intro, verse, chorus, intro to verse, interlude and ending. The parts in the presentation
of this song are repetitive or repeated, so the motif of the melody of this song is mostly
the same. | en_US |
